Is the K-word the new N-word?

As we know, some blacks have a made a political statement out of turning the N-word from an insult into a badge of honor. Now at least one Jew is trying to do the same with the K-word. (Seems this is still very loaded. I considered spelling out the K-word and N-word in the headline to this post but Mrs. Feiler Faster went, well, ballistic.) Here's part of the story from the Hollywood Reporter:

Are you a Jew? Don't ask Jamie Kastner. The question annoys the Canadian documentarymaker. He gets asked it a lot.So Kastner shot "Kike Like Me," a road movie bowing at Toronto's Hot Docs documentary festival on April 24.

In the film, Kastner answers a hypothetical "yes" when asked whether he's Jewish, followed by an equally terse "Why do you want to know?" to gauge how friend and foe reacts."I saw theatrical possibility from seeing how Jewish identity plays out in so-called civilized cultures where we've gotten over all 'that,"' Kastner explains.

The results are revealing. Kastner underwent a shotgun bar mitzvah from proselytizing Hasidic Jews in Brooklyn asking passersby "Are you Jewish?"; got turfed from Pat Buchanan's living room after asking why the TV pundit attacks Neocons for being Jewish; debated Israeli-born Gilad Atzmon, a self-described "devoted opponent of Israel and of Zionism," in London; and partied with Amsterdam soccer hooligans proudly calling themselves "Joden" (Jews).

The film's title is a play on "Black Like Me," John Howard Griffin's classic 1961 book about a white reporter dying his skin black to experience bigotry first-hand.But there's more of a connection with Elia Kazan's 1947 movie "Gentleman's Agreement," where Gregory Peck plays a crusading reporter pretending to be Jewish for a magazine article exposing racial intolerance.Kastner does the same for his documentary. Like Peck's character, he is at first peeved by early prejudice, until Kastner gets more than he bargained for when asking Parisians of Middle Eastern background what they think about Jews.

And his breaking point comes at Auschwitz when Kastner abruptly tells his cameraman they won't be joining the tourist hordes visiting the original ovens, and instead will just go ome. "They were perceived as Jews, and died for it. And I'm perceived as a Jew, and it suddenly doesn't sound like ancient history," Kastner says at the end of a personal journey in which he appears aloof and wise-cracking as the film begins, to experiencing profound menace at its end.

Not surprisingly, the 10 broadcasters who prelicensed "Kike Life Me" -- including BBC Storyville, the U.S. Sundance Channel, Canada's TVOntario, AVRO in Holland, Denmark's TV2, YLE in Finland and Australia's SBS -- felt equal menace over the film's title.

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Posted by B Feiler at 8:03 AM  

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